| Cote |
Title / Description |
Dates |
Collation |
Further Info / Remarks |
| A-02/01 |
Kitten – Cat – Old Cat
|
1991.12.12
|
Ts., 2 pp. A4 (6 x); 12 pp. translation Ruetz (photocopies) |
12 Dec. 1991. Handwritten remark on Erica Ruetz’ translation: Kätzchen – Katze – Alte Katze. On one of the identical photocopies
of the translation typed remark: "sent to B. Plagemann, Berlin, Dec. 1991; with Ofen changed to Kamin)”.
|
| A-02/02 |
A Toast. 5 Drafts
|
1979
|
Ts., 5 pp. A4 (orig. + carbon) |
Attachment: 1 p. photocopy “Ein Toast”, p. 233, with handwritten remark "A Toast (German)" on verso. One of the drafts (carbon)
shows on top left “Patricia Highsmith, 21 Boissiere, 77 Moncourt” besides a newly typed remark “d. May 1, 1979; typed 13 July
1979”.
|
| A-02/03 |
Pretty Pictures. 2 Drafts
|
1981.08.02
|
Ts., 2 x 2 pp. A4 (carbon) |
2 August 1981 Patricia Highsmith |
| A-02/04 |
The Guestworkers. 3 Drafts
|
1982
|
Ts., 3 pp. A4 (2x orig., 1x carbon?) |
Moncourt 1982. Many handwritten corrections on the 1st draft (?), which is written on rear of p. 1 of letter from Diogenes
Verlag, Zürich, to PH, 26 May, 1983)
|
| A-02/05 |
In Hospital (Nosebleed)
|
1980.03.02
|
Ts., 2 pp. (orig. + carbon) |
2/3/80 |
| A-02/06 |
Untitled. 1st line: “I carry old memories around like a heavy suitcase”
|
[s.d.]
|
Ts, 1 p. A5 (carbon) |
|
| A-02/07 |
Untitled. 1st line: “What a big portion of existence resembles ”
|
1978.10
|
Ts., 1 p. A5 (carbon) |
October 1978 |
| A-02/08 |
Before Sleep
|
[s.d.]
|
Ts., 2 pp. A5 (orig. + carbon) |
|
| A-02/09 |
Traffic Law
|
1982
|
Ts., 1 p. A4 (carbon) |
1982 |
| A-02/10 |
Untitled. 1st line: “I think of the way”
|
1982.04.13
|
Ts., 2 pp. A4 (orig. + carbon) |
13. Apr 82 |
| A-02/11 |
Unicorn Cat
|
1982-1983
|
Ts., 2 pp. A4 (orig.) |
Each of them on rear of letters from: p. 1: Diogenes Verlag (Marianne Liggenstorfer), Zürich, to PH, 24 January, 1983, p.
2 (photocopy) Diogenes Verlag (Thomas Bodmer), Zürich, to Dieter E. Zimmer / DIE ZEIT, 29 October 1982.
|
| A-02/12 |
To The Gate-Keeper
|
[s.d.]
|
Ts., 1 p. A4 |
|
| A-02/13 |
Ending It
|
[s.d.]
|
Ts., 2 pp. A5 (orig.? + carbon) |
|
| A-02/14 |
POETS
|
[s.d.]
|
Ts., 2 pp. A5 (2 carbons) |
|
| A-02/15 |
Pictures of Girls
|
1978.08
|
Ts., 1 p. A5 (carbon) |
"Aug 78" |
| A-02/16 |
(L’amour est une nécéssité)
|
[s.d.]
|
Ts., 1 p. A4 (carbon) |
On top left “Patricia Highsmith, 21 Boissiere, 77 Moncourt” |
| A-02/17 |
To P.O.-L. [Paul Otchakovsky-Laurens]
|
1960-1976
|
Ts., 11 pp. A4 (orig.) |
Rem.: Attachment: 1 half of letter from A.M. Heath, London, to PH, 30th March, 1978. 1 note with t.w. remark: “POL sent to HACHETTE
Sept. 1978 and so marked, POL.”. On t. p. h.w. remark “To P. O.-L.”. Handwritten corrections. Original succession of papers:
6-10, 2-5 and t. p. Date-remarks along the text: 1960/1976.
Dat.: Additional dates: 1978-09-26
|
| A-02/18 |
Etre Ensemble
|
[s.d.]
|
Ts., 1 p. A4 (carbon) |
Attachment: 1 half letter (lower part), signed “Hans Redlbach”, with remark (t.w.) “SENT TO MARIA D’APPARECIDA” 3 July 1979
FOUR POEMS: THE LIGHTHOUSE, IN LOVE (I suppose that’s the name of the game), In French: Guerison, Il Existe un Moment. 9 July,
Etre ENSEMBLE, LOVE IS A DESPERATION (L’Amour est un extreme desespoir)”.
|
| A-02/19 |
Patricia Highsmith. POEMES. Traduction (première version) par Alain Delahaye
|
1978
|
Ts., 16 pp. A4 1 t. p. (carbon) |
Attachment: Letter from AD to PH, December 11, 1978. |
| A-02/20 |
Poems
|
1978.04.09-1978.08.11
|
Tss. (4 pp. A5), Ts. on note (1 orig. + 3 carbons) |
Poem for T. and "Und ist es (...)" are written on the same page, with "den Spree" [sic]. Ts. on note: "I suppose that's (...)"
|
|
| Contains: |
|
| A-02/20.1
|
Untitled. 1st line: “I suppose that’s the game: doubt.” |
| A-02/20.2
|
Poem for T., Written Not on Horseback, But on Typewriter |
| A-02/20.3
|
Untitled: "Und ist es der armen Lesley gelungen/Oder ist sie in den Spree gesprungen?” |
| A-02/20.4
|
Untitled. 1st line: “We have only to look at each other” |
| A-02/20.5
|
Untitled. 1st line: “Every day you change” |
| A-02/20.6
|
Untitled. 1st line: "Love is a malady” |
|
| A-02/21 |
Poems
|
1978.09.25
|
Tss., 6 pp. A4 |
Attachment: Note “Carbons, origs. of most of what was sent to Hachette, Sept. 1978. Okay square stuff, not necessarily the
best. 25 Sept. ’78" (Date handwritten, PH?).
|
|
| Contains: |
|
| A-02/21.1
|
Untitled. 1st line: “A positive philosophy” |
| A-02/21.2
|
Togetherness |
| A-02/21.3
|
Six Months Later |
| A-02/21.4
|
Black Goldfish |
| A-02/21.5
|
Recovery |
|
| A-02/22 |
A Week
|
1978.08.12
|
Ts., 2 pp. A5 (orig.? + carbon) |
12. Aug 78 |
| A-02/23 |
Recovery
|
1978.08
|
Ts., 1 p. A5 (carbon) |
(end of August ’78) |
| A-02/24 |
Untitled. 1st line: “Memory of you seizes me unawares”
|
1978.05.30
|
Ts., 1 p. A5 |
On rear of 1st half of letter from Bertelsmann Fernseh-Produktion, Berlin, to PH, 30 Mai 1978. |
| A-02/25 |
On God
|
1979
|
Ts., 1 p. A5 |
On rear of letter / invitation to Barnard alumnae of THE BARNARD IN PARIS GROUP, 20 April, 1979 (reception for Professor Gavronsky). |